000			01926cam a2200385Mi 4500
001			on1429629638
003			OCoLC
005			20240925155501.0
007			ta
008			240216s2024 xna e b 000 1 eng d
020			_a9781761471001 _q(pbk.)
020			_a1761471007 _q(pbk.)
029	0		_aAU@ _b000076284195
029	1		_aAU@ _b000076590800
029	1		_aAU@ _b000077614453
029	1		_aAU@ _b000076576973
035			_a(OCoLC)1429629638 _z(OCoLC)1434169701
040			_aAU@ _beng _cAU@ _erda _dAUNTL _dOCLCO
042			_aanuc
082	0	4	_a813.6 _223
100			_aPicoult, Jodi, _d1966- _eauthor. _923081
245	1	0	_aBy any other name / _cJodi Picoult.
260			_aSydney : _b Allen & Unwin, _c2024
300			_a525 pages ; _c24 cm.
504			_aIncludes bibliographical references.
520			_aIn 1581, Emilia Bassano is allowed no voice of her own. But as the Lord Chamberlain's mistress she has access to the theatre and finds a way to bring her work to the stage secretly. But creating some of the world's greatest dramatic masterpieces comes at a cost: by paying a man for the use of his name, she will write her own out of history. His name? William Shakespeare. In present day Manhattan, playwright Melina Green has written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. Although the challenges are different four hundred years later, the playing field is still not level for women in theatre. Is Melina—like Emilia—willing to forfeit her credit as author, to see her work performed?
600		0	_aLanyer, Aemilia _vFiction. _955539
650		0	_aDramatists _vFiction. _911823
650		0	_aSikh women _xSocial conditions _vFiction. _911672
650		0	_aAmbition _vFiction. _95622
655		7	_aHistorical fiction. _2lcgft _943610
655		7	_aBiographical fiction. _2lcgft _910435
942			_2ddc _cFIC
948			_hHELD BY NZWMT - 133 OTHER HOLDINGS
999			_c50194 _d50194