000			03374cam a2200469 a 4500
001			14279610
003			OSt
005			20140227113102.0
008			111027s2012 enka bc 000 0deng d
010			_a 2011940404
016	7		_a015974769 _2Uk
020			_a9781857095371
020			_a1857095375
035			_a(OCoLC)759174428
035			_a(OCoLC)ocn759174428
035			_a(eLGAR).b26741453
035			_a(Nz)14279610
040			_aBTCTA _beng _cBTCTA _dERASA _dUKMGB _dYDXCP _dNGA _dNLE _dMZA _dORX _dBWX _dUKTTE _dZCU _dOCL _dCDX _dUKWOH _dOCoLC
050		4	_aN6797.T88 _bA4 2012
082	0	4	_a759.2 _223
100	1		_aWarrell, Ian.
245	1	0	_aTurner inspired : _bin the light of Claude / _cIan Warrell ; with contributions by Philippa Simpson, Alan Crookham and Nicola Moorby.
246	3	0	_aIn the light of Claude
260			_aLondon : _bNational Gallery Co. ; _a[New Haven, Conn.] : _bDistributed by Yale University Press, _c2012.
300			_a144 p. : _bcol. ill. ; _c29 cm.
500			_aPublished on the occasion of an exhibition held at the National Gallery, London, Mar. 14-June 5, 2012.
504			_aIncludes bibliographical references (p. 139).
505	0	0	_tTaking in the view: the reception of Claude in early nineteenth-century London / _rPhilippa Simpson -- _t'The land of bliss' : Turner's pursuit of the light and landscapes of Claude / _rIan Warrell -- _tThe Turner bequest at the National Gallery / _rAlan Crookham -- _tEncountering Claude's ideal landscapes -- _tClaude transplanted to the British scene -- _tImbibing Claude's Italy -- _tTurner's modern landscapes -- _tClaude revived: Turner's late series.
520	8		_aThis title examines the ways in which Turner consistently strove to confront Claude's achievement and legacy.
520			_aThe English romantic artist Joseph Mallord William Turner (1775-1851) was hailed as the "painter of light" for his brilliantly coloured landscapes and seascapes. He drew much influence from the French painter Claude Lorrain (c.1604-1682), who was a vital force in Turner's artistic practice from his formative years until the end of his working life. So great was Claude's influence that Turner stipulated in his will that his works hang alongside Claude's in the National Gallery. This book examines the ways in which Turner consistently strove to confront Claude's achievement and legacy. He had encountered Claude's works in salerooms and in the collections of his aristocratic patrons, and applied what he had learned to the British countryside, producing views of the Thames valley that transform it into an idyllic pastoral scene reminiscent of the Roman Campagna. For the balance of his career, Turner continued to pit himself against Claude, paying homage even as he continually sought to go beyond the accomplishments of his master.
600	1	0	_aTurner, J. M. W. _q(Joseph Mallord William), _d1775-1851 _vExhibitions.
600	1	0	_aLorrain, Claude, _d1600-1682 _xInfluence _vExhibitions.
600	1	4	_aTurner, J. M. W. _q(Joseph Mallord William), _d1775-1851.
600	1	4	_aLorrain, Claude, _d1600-1682.
700	1		_aTurner, J. M. W. _q(Joseph Mallord William), _d1775-1851.
700	1		_aLorrain, Claude, _d1600-1682.
700	1		_aSimpson, Philippa.
700	1		_aCrookham, Alan.
700	1		_aMoorby, Nicola.
710	2		_aNational Gallery (Great Britain)
942			_2ddc _cNONFIC
999			_c31507 _d31507