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005 20180827161316.0
008 100917s2011 inua b s001 0 eng
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020 _a9780253356185 (cloth : alk. paper)
020 _a0253356180 (cloth : alk. paper)
020 _a9780253223012 (pbk. : alk. paper)
020 _a0253223016 (pbk. : alk. paper)
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050 0 0 _aPN1998.3.C3545
_bF69 2011
082 0 0 _a791.430233092
_aB
_222
100 _aFox, Alistair.
_941232
245 1 0 _aJane Campion :
_bauthorship and personal cinema /
_cAlistair Fox.
260 _aBloomington :
_bIndiana University Press,
_cc2011.
300 _axii, 269 p. :
_bill. ;
_c23 cm.
500 _aJane Campion is a New Zealand filmmaker.
504 _aIncludes bibliographical references (p. 233-262) and index.
505 0 _aIntroduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship.
520 _a"Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material--including interviews with Campion and her sister and personal writings of her mother--Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next"--Publisher description.
600 0 _aCampion, Jane,
_d1954-
_xCriticism and interpretation.
_941233
650 0 _aWomen motion picture producers and directors
_zNew Zealand.
_941234
776 0 8 _iOnline version:
_aFox, Alistair.
_tJane Campion.
_dBloomington : Indiana University Press, ©2011
_w(OCoLC)929536015
942 _2ddc
_cNONFIC
948 _hHELD BY NZWMT - 411 OTHER HOLDINGS
999 _c23778
_d23778