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Surrender : poems / Michaela Keeble.

By: Material type: TextTextPublication details: Porirua : Taraheke - Bushlawyer, 2022. Description: 118 pages ; 21 cmISBN:
  • 9780473615673
  • 0473615673
Subject(s): Genre/Form: DDC classification:
  • 821.3 23
LOC classification:
  • PR9619.2.K33 K33 2022
Contents:
Machine-generated: you, me. mother, crab -- mother, model -- father, antarctica -- tactics and strategy -- ocean, medicine -- literary fiction -- gods -- #nounwork -- run my tongue -- white poem goes on -- Waitangi Day Honours 2022 -- lick this thing -- other, self. Birrarung -- (i) when you are fishing -- (ii) when i am fishing -- (iii) we are fishing when the weather turns -- sheep dog -- strike -- protocol -- god -- like fiction -- tent embassy -- even Alice -- skipping girls -- settlers in language expressway. we, us -- tributary -- hobbies -- #dirtwork -- bone broth -- mother, pain -- parents, pain -- father, healer -- i want so much -- hard seams -- blood, medicine -- iron filings -- permanence? -- expansion... -- he, she, they. the lap of the river -- revision is a kind of faith -- we, our -- time travel -- talking with strangers (i) -- talking with strangers (ii) -- Wairaka -- Hongoeka love poems -- further conversations with a stone -- familiar spirit -- only the ocean.
Summary: "Surrender is Michaela Keeble's remarkable first full-length collection of poems. It responds to the call of indigenous and other radical poets - as well as to the deafening silence in white poetry - to face our colonial past and our increasingly appropriative present. In challenging herself, Michaela's poems also challenge other white poets, writers and readers to consider the potential for violence in our voices, language choices and poetic positions. When is white poetry transformative? When it goes beyond whiteness as confession and instead dares the reader to sift it, strain it, dig it over. At this juncture in colonial and ecological history, it is rare that a collection of poetry manages to disclose complicity and avoid diagnosis, yet Michaela's debut collection does both. From the opening lines, the reader must straddle the disarming intimacy of the poet's earthly story of love and exile and its proximity to political power. What goes seen and what unseen? What forces shift us, urge us, destabilise us? What dangers are inherent in the human urge to belong? These poems interrogate the simplicity of solidarity and shake the safe ground whiteness occupies. They compel the white self to emerge as witness, and to surrender."--Publisher information.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Non-Fiction - New Zealand Non-Fiction - New Zealand Pop-Up Library Non-Fiction Non Fiction 821.3 (Browse shelf(Opens below)) Available A00745556

Machine-generated: you, me. mother, crab -- mother, model -- father, antarctica -- tactics and strategy -- ocean, medicine -- literary fiction -- gods -- #nounwork -- run my tongue -- white poem goes on -- Waitangi Day Honours 2022 -- lick this thing -- other, self. Birrarung -- (i) when you are fishing -- (ii) when i am fishing -- (iii) we are fishing when the weather turns -- sheep dog -- strike -- protocol -- god -- like fiction -- tent embassy -- even Alice -- skipping girls -- settlers in language expressway. we, us -- tributary -- hobbies -- #dirtwork -- bone broth -- mother, pain -- parents, pain -- father, healer -- i want so much -- hard seams -- blood, medicine -- iron filings -- permanence? -- expansion... -- he, she, they. the lap of the river -- revision is a kind of faith -- we, our -- time travel -- talking with strangers (i) -- talking with strangers (ii) -- Wairaka -- Hongoeka love poems -- further conversations with a stone -- familiar spirit -- only the ocean.

"Surrender is Michaela Keeble's remarkable first full-length collection of poems. It responds to the call of indigenous and other radical poets - as well as to the deafening silence in white poetry - to face our colonial past and our increasingly appropriative present. In challenging herself, Michaela's poems also challenge other white poets, writers and readers to consider the potential for violence in our voices, language choices and poetic positions. When is white poetry transformative? When it goes beyond whiteness as confession and instead dares the reader to sift it, strain it, dig it over. At this juncture in colonial and ecological history, it is rare that a collection of poetry manages to disclose complicity and avoid diagnosis, yet Michaela's debut collection does both. From the opening lines, the reader must straddle the disarming intimacy of the poet's earthly story of love and exile and its proximity to political power. What goes seen and what unseen? What forces shift us, urge us, destabilise us? What dangers are inherent in the human urge to belong? These poems interrogate the simplicity of solidarity and shake the safe ground whiteness occupies. They compel the white self to emerge as witness, and to surrender."--Publisher information.

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