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Non-toxic printmaking / Mark Graver.

By: Material type: TextTextSeries: Printmaking handbooksPublication details: London : A & C Black, 2011.Description: 127 pages : illustrations (some color) ; 24 cmISBN:
  • 9781408113257
  • 1408113252
Subject(s): DDC classification:
  • 760.28 22
LOC classification:
  • NE850 .G657 2011
Contents:
Introduction: Why non-toxic? -- Materials -- Acrylic resist etching on copper -- Acrylic-resist hard grounds -- Acrylic soft grounds -- Acrylic-resist aquatint -- Wash grounds, lift grounds, white grounds -- Etching copper with ferric chloride -- Saline sulphate etch -- Inks, Inking, paper and printing -- Colour, chine-collé and multi-plate printing -- Non-chemical processes -- A survey: Printmaking going green? -- Conclusion -- Appendix 1: Some thoughts on non-toxic printmaking -- Appendix 2: Original prints and reproductions -- a need for definition -- Featured artists -- Supplies -- Website resources.
Content advice: Mark Graver puts the case for non-toxic printmaking and then discusses the various technical factors (both materials and equipment) to consider when etching with acrylic resists, making aquatints, etching in general, using drypoint, engraving, making mezzotints and collagraphs and using photopolymers.
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Holdings
Item type Current library Collection Call number Status Notes Date due Barcode
Non-Fiction Non-Fiction Waimate Event Centre - Long term storage Non Fiction 760.28 (Browse shelf(Opens below)) Not For Loan Not for loan A00593436

Includes bibliographical references and index.

Introduction: Why non-toxic? -- Materials -- Acrylic resist etching on copper -- Acrylic-resist hard grounds -- Acrylic soft grounds -- Acrylic-resist aquatint -- Wash grounds, lift grounds, white grounds -- Etching copper with ferric chloride -- Saline sulphate etch -- Inks, Inking, paper and printing -- Colour, chine-collé and multi-plate printing -- Non-chemical processes -- A survey: Printmaking going green? -- Conclusion -- Appendix 1: Some thoughts on non-toxic printmaking -- Appendix 2: Original prints and reproductions -- a need for definition -- Featured artists -- Supplies -- Website resources.

Mark Graver puts the case for non-toxic printmaking and then discusses the various technical factors (both materials and equipment) to consider when etching with acrylic resists, making aquatints, etching in general, using drypoint, engraving, making mezzotints and collagraphs and using photopolymers.

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